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Weekly Worker 566 Thursday March 3 2005
Miners: this was our strikeWilliam Ivory Faith BBC1, Monday February 28
With real miners and their wives as support actors, and with National Union of Mineworkers officials picking up inaccuracies and inconsistencies in the film and story line as it went along, this film ought to be at least realistic - and it is. Shot at Hatfield colliery, where the headgear and pit stand frozen and
intact, much as they did for the 12 months of the strike, the scenes are
set in the streets and communities based upon the fortunes of that mine
- Stainforth, Dunscroft, Thorne and Moorends. Up to 240 of the local pit
folk starred in the making of this film, and not simply as wannabes. They
did it because they were concerned that events portraying their lives
and the real situations they participated in were not sold short. They
will not have been disappointed. The tremendous importance of that strike and everything that was fought for is perhaps clearer now than it was then - although now it is too late to do anything about it, and one is only left with the memory of where you were standing at that time. There are things wrong with the film in terms of accuracy, of course - this is a drama, we have to keep telling ourselves. Pickets did not come back from the picket line, with their heads split open and faces bloody, and stand in the bar having a pint - we went home first and had a bath. Cops would not have been served in the local pubs during the occupation: they did not get served in many paper shops or fruit stalls, never mind pubs. We were not on some out-of-control roller-coaster which we could not stop: this was our strike, our stand - and by and large the ordinary miners and their communities kept it on the rails . The outcome was never a forgone conclusion - we never were on a hiding to nothing and the truth is, despite all the obstacles and overwhelming problems, we came close on more than one occasion to actually winning the whole thing. That bigger picture is perhaps not even attempted here, and that is
fair enough. It is a damn good drama as it stands, in tight focus; and
one which will provoke much debate - not simply among those who were there,
but among all those young people growing up in its shadow 20 years down
the line: young people who are left with the legacy of its defeat. |
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